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The Alhambra and Granada Caroline: the dream of Emperor

previousChurch of Santa María de la Alhambranext

Baroque altarpiece of the church, originally from the Basilica de las Angustias in Granada

Baroque altarpiece of the church, originally from the Basilica de las Angustias in Granada

Memorial plaque to the martyrdom of the Franciscan friars Juan de Cetina and Pedro de Dueñas upon this spot in the times of Al-Andalus

Memorial plaque to the martyrdom of the Franciscan friars Juan de Cetina and Pedro de Dueñas upon this spot in the times of Al-Andalus

Exterior of the church of Santa María de la Alhambra, built on the site of the former Royal Mosque of the Alhambra, with a plan and design indebted to Herrera

Exterior of the church of Santa María de la Alhambra, built on the site of the former Royal Mosque of the Alhambra, with a plan and design indebted to Herrera

The location of the church of Santa María in the centre of what was once the city of the Alhambra, next to some Arab baths between the Nasrid palaces and the town houses, denotes that there must have been a mosque there previously. Nevertheless, the discovery of an ancient inscription from the Visigothic period above the door of the sacristy adds credence to the tradition that a Christian religious building stood there before the Islamic invasion.

Although the current building dates from the late 16th and early 17th centuries, the space had been enclosed since the early 500s. Proof of this was the disagreement between Emperor Charles V and the Archbishop of Granada when the Renaissance palace was constructed, since if this had been built parallel to the Nasrid palaces in order to join onto them perfectly, it would have invaded part of the space of the church, something the archbishop was not prepared to tolerate. The imperial palace was therefore built obliquely to the Islamic palaces.

Apart from its architectural form and volume, the fact that the building was the parish church of all the citizens who lived inside the precinct of the Alhambra made it the most evident sign of the Christian Alhambra. Kept inside it were such venerated images as that of Our Lady of the Anguishes, the patroness of the city of Granada, which is carried in procession during Holy Week in one of Granada's most beautiful religious festivities.

The construction of the church of Santa María in the heart of the Alhambra is another example of the process of Christianisation of the territory conquered from Islam, with an added symbolic charge in this case owing to its situation at the centre of the political and military power of the Nasrid kingdom, and to its vindication of a Christian presence on the spot that pre-existed Muslim dominion.

Although its architectural form and type are those characteristic of the Counter-Reformation church (single aisleless nave, large crossing and austere decoration), the materials employed for the walls and roofs belong to the Islamic tradition, as was usual in Granadine churches. The climate of the Counter-Reformation was also responsible for the plaque set up on a column in front of the church in 1590, which alludes to the martyrdom of two Franciscans on that spot in 1397 at the hands of the Muslims.