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The Alhambra and Granada Caroline: the dream of Emperor

previousMonastery of Santa Isabel La Real – Palace of Dar Al-Horranext

Outer gate of the monastery consecrated to Saint Elizabeth of Hungary, for whom Queen Isabella the Catholic felt special devotion

Outer gate of the monastery consecrated to Saint Elizabeth of Hungary, for whom Queen Isabella the Catholic felt special devotion

Renaissance cloister of the convent, inhabited by a closed order of Franciscan nuns ever since it was first founded by Queen Isabella the Catholic

Renaissance cloister of the convent, inhabited by a closed order of Franciscan nuns ever since it was first founded by Queen Isabella the Catholic

High Chapel of the convent church covered with exceptionally fine Mudejar woodwork

High Chapel of the convent church covered with exceptionally fine Mudejar woodwork

The monastery is located in the highest part of the historic Albaicín district, in what was the earliest urban nucleus of Muslim Granada and the nerve centre of the former Alcazaba Cadima ('Old Fortress'). It formed part of the Palace of Dar al-Horra, a dwelling with gardens that belonged to the powerful Queen Aixa, the mother of Boabdil, the last Nasrid sultan. In 1501, Queen Isabella founded this monastery for women under the rule of St Clare, and six years later Luisa de la Cruz, the widow of the Constable of Castile, took up provisional residence in the old palace with a group of twenty nuns. The new building was constructed in the garden area, and in the course of the 16th century became a monumental complex designed to house more than a hundred nuns. Distributed around the great chapel and the large cloister were the communal areas, with the staircase, dormitories, granary, refectory, kitchen, laundry and infirmary, while the novices were housed in the outlying part of the convent. The chapel is covered with splendid wooden ceilings, forming a repertoire of unusual and extraordinary beauty: a grid framework with double crosspieces and Plateresque paintings in the nave, an ogee vault with pendants in the English style over the high altar, and eight-sided ceilings over the staircases leading to the upper floor and the choir loft. Over the years, the monastery has acquired an extremely important collection of art works of the 16th, 17th and 18th centuries, which have remained unaltered in the places for which they were originally designed. Indeed, time seems to have stood still in the convent as a whole.

The early foundation of this convent by Queen Isabella next to the Nasrid palace of Dar al-Horra in a heavily Islamised part of the city, the Albayzín district, demonstrates a manifest interest in cultural fusion through art from the very moment of the conquest. This is especially true of religious buildings, an evident result of the determination to bring the residual Moorish population within the Christian pale that led similarly to the building of the parish churches. The Islamic influence is perceptible in the tower of the church, whose form and decoration recall the minaret of a mosque, and in the rich and diverse types of wooden roofing in the nave and cloister of the convent, constructed with the traditional techniques of Muslim Granada. By contrast with the survival of these Islamic features, which are found throughout the 16th century and even the next, their conjunction with Christian architecture illustrates the various stylistic changes that took place in Spain and Granada during the first third of the century. Flamboyant Gothic, identified with the Catholic Monarchs, is therefore found alongside an early Renaissance style inside the church and a mature classicism in the cloister.